Thursday, April 30, 2015

UCB Student Produced BAREStage ends their season with HAIR.

"HAIR" HELPS MARK THE 50TH CELEBRATION OF THE FREE SPEECH MOVEMENT AT UCB

University of California Berkeley Barestage Productions, celebrates 50 years of Free Speech with a smart production of a 60's classic. BareStage is the oldest student-run theatre company at UCB, and has a great history of staging new and old works. The company features both Arts Majors and non. Any student can audition and their productions always prove the Berkeley campus is the home of excellent talent, from Engineers to Science majors. UCB Theatre Arts Major Senior Matt Bratko was asked to write this review. I wanted a Cal students point of view, Thank you Matt. 
By Matt Bratko. Great energy and spirit in a musical can cover over a multitude of sins, and in Barestage Production’s Hair, it unfortunately had to.
Directed by Jessica Slaght, this show was shrewdly chosen to coincide with the 50th anniversary year of the Free Speech Movement, where Berkeley students fought for their right to political expression. The recent resurgence of controversial protests and activism also makes this show seem timely, and there are a few moments in the show when Hair feels relevant, especially when the tribe that makes up the cast of the show stages a “Be-In”, and the revolutionary fervor is placed front and center. 
Unfortunately these moments are few. Because of the liberal nature of the Berkeley campus, many of the numbers that initially struck audiences in the late sixties as incredibly controversial and radical fall on unimpressed ears. For students here singing about hashish and sodomy is just another day on campus. 
The notorious nudity sequence also felt anticlimactic. The cast slowly takes off clothes as they move upstage and the more modest ones hide behind signs and other detritus that is attached to the cyclone fencing that flanks the stage. While the director’s note explains the nudity as “asking audiences why we make a bigger fuss over the display of naked bodies on stage than the tremendous carnage in Vietnam,” the staging of the scene feels obligatory and almost ashamed. By moving the cast to the back and hiding them behind the fencing instead of presenting them front and center to show that nudity is harmless and natural, the show seems to be reluctant to commit to making that point.
The show’s vibe is very brightly colored and positive, full of innocence and energy. There are a few standout vocalists, with Dubravka Juric opening the show with an “Aquarius” that roars the house down and sets the bar high for the singers that follow her. Juric, Hussain, and Crossley are all strong singers who are sadly underutilized, especially Hussain, who had incredible power and precision in her standout moments in the ensemble.
The majority of solos go to the leading men Bennett Martin and Benjamin Schaub, who play Claude and Berger respectively. The standout lead was Madeleine Pla as Sheila, who could both act and sing and frequently did both very well at the same time.  Also notable were Olivia Uhley as the pregnant Jeanie, and Yoonji Jang, the standout dancer in the cast.
After a slow first act that felt like Cats on marijuana, both for its childish energy and the disjointed personality-based nature of its numbers, the second act picks up with the dynamic “Black Boys/White Boys” number and the action-packed hallucinations of Claude. The lighting design really worked to give shape to the changing settings/states of mind throughout that sequence. The cast was full of enthusiasm and humor, they committed to their actions and worked smoothly together. In the end, it was an enjoyable ride that felt a little too much like a fluff piece. (Bratko) 
BareTroupe Spring May 3rd Showcase

May 3 is the annual  for BareTroupe's Spring Showcase! The performance includes members of BareStage musical theatre troupe in numbers from Chicago,Les Miserables, Rodgers's + Hammerstein's Cinderella, The Full Monty, Curtains, and more! The FREE showcase is  Sunday, May 3rd at 8pm in the Choral Rehearsal Hall. This will mark their final production of 2014 -15 seasaon.

LINKS TO BARESTAGE INFO and more about their past season




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